Showing posts with label photography. Show all posts
Showing posts with label photography. Show all posts

Wednesday, October 3, 2012

Picturing Fantasy: Photography and Costuming

post over on Xeph-Ink, about photographing costuming, really caught my attention. (In fact, this post is largely in response to Xeph's blog, so please go check it out!) Xeph writes about the best possible ways to photograph costuming; she mentions lighting, context and environment, and models, as well as her own experiences with the ins and outs of photography. Professional costumers are probably familiar with the trials of photographing LARP pieces well, but, with a more general audience in mind (myself included), I wanted to give a few thoughts on photography and costuming.

During a LARP, I think it's easy to see fantastic costumes and makeup for what they are: well-done elements that add to the immersive IG universe. However, to me at least, once costumes drift outside of their intended context (for instance, in the middle of the woods at 3 am), they lose a lot of their magic. Sure, when someone is standing under the fluorescent lights of a bathroom, I can see skillfully applied make-up and/or a well-conceptualized costume, but something is, undeniably, missing. The diamond studded skin becomes a face with glued on plastic gems. The whiskers or scales body paint. While the beauty of the piece is still apparent, the real life of the person wearing it is obvious. In many ways, this is how the art of LARP works: it's ephemeral-- and tenaciously glued to its own context.

This is problematic when/if we decide to show our costumes and makeup to an audience outside of the LARP event itself. As Xeph writes, costumes out of context look a little sad: in your living room or on your front porch, your highborn tarantula queen doesn't look nearly as elegant as she did two weekends ago, deep in the woods. We've all seen the pictures of costumes photographed outside of their intended environment: unless the game itself is modernistic, they rarely look good (boffer weapons, an entirely different story, even less so). This is a pity: a lot of people, even if they aren't LARPers, could probably understand and get into LARP through pictures of good costuming.

All of this considered, I've seen some pictures, including those on Xeph-Ink, that are fantastic: not only are the pictures themselves artistically taken, but the setting works. The model doesn't seem awkward. The costume, even though obviously outside of a LARP or Faire, is displayed to its full potential. While photographs of costumes may seem superficial, to me, they have a larger significance: well-done photography is one way to preserve and communicate our art form. As I've discussed before, LARP is difficult to communicate or display (as well it should be, perhaps). In my opinion, options that allow us to successfully capture our art form should be pursued.

So, what are methods for successfully photographing costuming and makeup? Are you a fan of photographing costuming? Are there privacy concerns involved with photography? And, please, for some really practical technique tips, go check out Xeph-Ink!

Friday, March 9, 2012

From the Pen of Inquisitor Sahaal

Contributor: Adam
Submission: Photography and Prose
System: Lost Eidolons, Accelerant
Character Name: Sahaal (he's been through various titles, but I'm not sure which one he's on currently)

Lost Eidolons is a LARP set in a Lovecraftian, steam-punk world. The players live in the town of Greyhook-- a burgh plagued by weres, spirits, and any number of unspeakable horrors. The writing and flavor of the game leads to in-depth character development and intense roleplay. Father Sahaal, played by Adam, is perhaps one of the best examples of this. Sahaal is an intricately written and performed character-- his actions range from far-reaching religio-political intrigue to cloistered scheming to grand plans of world conquest. He's not evil, and he's not good. Adam also goes far-and-beyond the call of standard costuming: he and his "retinue" sport complicated and realistic clothing, makeup, and weapons. Moreover, the appearance of the retinue fluctuates depending on the group's current situation.


Read below for a taste of Sahaal's religious prose, as well as some picture of the good father. Want more anti-heroism? Read Loralon's account!